Like the movie version, it told a confined, claustrophobic tale that thrived on close observation. When Buchheim’s Das Boot was published in 1973, the novel packed an enormous punch. Even back then, Buchheim complained that Petersen had failed to find the antiwar message in his novel, that he had presented the war as adventure rather than “moloch.” It became famous for its incredible camera work, its oppressive sets, its bravura sound design and Klaus Doldinger’s iconic score. But it was nevertheless a technical triumph. To be sure, the film was harrowing, claustrophobic, unvarnished. German filmmakers have made many deeply thoughtful films about the Nazi years, but Petersen’s Das Boot may have been the first film explicitly seeking to wring entertainment from the topic. Making Das Boot is always about Germany and its relationship to its history, but it is also about the global market for the kinds of stories Germans tell about their history. The creators of the new version on Hulu returned to the submarine pen, for a send-off of yet another U-boat. When Wolfgang Petersen made his film version of the book in 1981, he used the pen in La Rochelle as his stage, including for the film’s final scene when the U-boat crew arrives in home harbor only to be mostly killed in a surprise Allied bombing raid. Every few decades, it seems, the German film industry sends a few hundred people in Nazi uniforms to play around in one of these structures. Lothar-Günther Buchheim based his 1973 novel Das Boot on his experiences as a war reporter on several U-boats, and while the novel is fiction, the submarine base in the novel is recognizably the one at Saint-Nazaire. The structure sits around today relatively unchanged-an enduring monument of World War II, and a convenient backdrop for telling stories about it. Its extreme dimensions and sturdiness-the roof alone is more than 20 feet thick-made it impossible to destroy after the war. Like the ones at Saint-Nazaire and Lorient, its colossal berths, titanic dimensions and worn concrete today give the structure the appearance of a relic of prehistoric times. Kaiser for Bavaria Fiction Marcus Ammon and Frank Jastfelder for Sky Deutschland and Jenna Santoianni for Sonar Entertainment.The submarine pen in La Rochelle, France was built in in 1941. The new series follows the crew of an ill-fated submarine that launches on its inaugural mission from Nazi-occupied France, as well as the stories of the family and friends they leave behind and that of French resistance fighters taking on the Nazi regime from the inside.ĭas Boot was produced by Oliver Vogel and Jan S. Serving on a German U-boot becomes little more than a suicide mission. Betz, starts in the fall of 1942, after the Allies have cracked the German military’s Enigma code and can track the movement of their submarine fleets. The story, from co-writers Tony Saint and Johannes W. Andreas Prochaska ( The Dark Valley) directed. Budgeted at just over $30 million, Das Boot features stars Vicky Krieps ( The Phantom Thread), Tom Wlaschiha ( Game of Thrones), August Wittgenstein ( The Crown) and Lizzy Caplan ( Masters of Sex), alongside up-and-coming talents including Rick Okan, Pit Bukowski, Philip Birnstiel and Julius Feldmeier.
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